Episodes from the series Welcome to Erewhon will be released online from December 2018 to June 2019.

January 22, 2019 at 7pm, an evening takes place at the Jeu de Paume Museum. A presentation is followed by a lecture by philosopher and writer Bruce Bégout and a film concert by composer Méryll Ampe.

May 7, 2019 at 7pm, screening of the sequel to the episodes at the Jeu de Paume Museum followed by "Erewhyna - 3 brutal deaths", a performance by Olivier Bosson.


Welcome to Erewhon is a loose adaptation of a philosophical fable published in 1872 by the British writer Samuel Butler. This utopian satire, which is set in the fictitious city of Erewhon, proposes that we consider technological progress and automation as the evolution of the “machine” species, comparable to the evolution of biological species, but much faster. This hypothesis governs the habits and mores of its inhabitants, down to the smallest aspects of their lives.

Like Butler’s narrative, Welcome to Erewhon depicts a city located in a parallel present. Automation has been taken to the extreme. Work as we know it has disappeared. Factories produce everything that is needed for life. Warehousing and handling are outsourced to hangars outside the city, devoid of humans. Farms raise and process plants and animals. Vehicles deliver them. Software optimizes the system. Inhabitants are freed of all chores, and devote themselves to leisurely activities. Robotic otters care for the elderly, purring when instructed by artificial intelligence software. Other robots massage inhabitants, or cook for them. Cats equipped with GPS map out the territory. Robot vacuums awaken to sensuality. Pigs have their brains networked and enlarged.

Humans, animals, and plants are linked by a data center interconnect system that processes mental matter, thus conserving the city’s memory. Algorithms can give voice to the dead. This is how the spirit of Samuel Butler can still circulate through images of the city.

A secret kinship has always connected machines and cats. In Erewhon, the two species have established a strange kind of sympathy. Humans, who have been left out, are content with exchanging images of cats riding robot vacuums.

Erewhon has many eyes, which monitor the different aspects of industrial processes and urban life. Yet there is nothing panoptic about the city. It preserves blind spots, which represent spans of non-existence for its inhabitants.

In Erewhon, advanced age and end-of-life are periods full of gentleness; robots shaped like baby seals care for patients, sparing them any human contact. The robot’s snort is a concentration of all the beings one has ever loved.

Do the inhabitants of Erewhon still raise children? Or do they instead adopt robots that don’t yell or cry, and eventually learn to love? Is time forever frozen at the suckling stage of capitalism? Do its inhabitants live in spas? Are they skilled in inter-species love? Do they come to resemble plants? Is Samuel Butler reincarnated as a sow connected to the city’s brain?


Written, directed and edited by

Pierre Cassou-Noguès, Stéphane Degoutin et Gwenola Wagon


Lissandra Haulica, Irrévérence films

Original music

Méryll Ampe


Pauline Belle Marie-Bénédicte Cazeneuve Jean-Luc Vincent

Assistant editor

Cécile Bicler, Alice de Lima

Graphic design and development

Raphaël Bastide and Louise Drulhe

Voice recording

Joaquim Peirera

Sound mixing

Joaquim Peirera

Film rights research

Alban Leveau-Vallier


Daphné Bengoa, Olivier Bosson, Cantor Bourdeaux, Frédéric Danos, Doris Erelljisé-Lanzmann, Sydney Levy, Olivier Perriquet


Dispositif pour la création multimédia, CNC - Dicréam
Jeu de Paume espace virtuel

With support from

Artec, Agence Nationale de la Recherche This work has benefited from State aid managed by the National Research Agency as part of the Future Investments programme bearing the reference ANR-17-EURE-0008
Laboratoire TEAMeD, Université Paris 8